每个孩子都是上天的恩赐，每个孩子也都是聪明绝伦的天才。然而，颟顸的父母乃至愚蠢的社会准则却极大限制着小天使的成长，他们或被强行捏作各种形状，或者被迫接受各种既定准则。在此过程中，快乐与纯真如小鸟般渐渐飞远，留给孩子们身心的只有无尽的痛苦和挫折感，他们变得感官丧失，封锁内心，对外界存有深深的敌意，最终成为与这个文明社会相协调却又平庸无奇的一分子。这一切的一切，究竟是谁之过？ 　　本片为艺术文化振兴基金资助作品，并荣获飞騨国际动画片电影节评委会特别奖、日本文化部传媒艺术节优秀奖。

每个孩子都是上天的恩赐，每个孩子也都是聪明绝伦的天才。然而，颟顸的父母乃至愚蠢的社会准则却极大限制着小天使的成长，他们或被强行捏作各种形状，或者被迫接受各种既定准则。在此过程中，快乐与纯真如小鸟般渐渐飞远，留给孩子们身心的只有无尽的痛苦和挫折感，他们变得感官丧失，封锁内心，对外界存有深深的敌意，最终成为与这个文明社会相协调却又平庸无奇的一分子。这一切的一切，究竟是谁之过？ 　　本片为艺术文化振兴基金资助作品，并荣获飞騨国际动画片电影节评委会特别奖、日本文化部传媒艺术节优秀奖。

A young girl is in a room full of, well, all sorts of, things... 　　She plays with stuff... 　　She is very cute and fun to watch, and Nikita's debut shows already what a great sense for camera movement he possesses. Despite the lack of dialogues, the film isn't boring, and has this unique atmosphere that you often meet in Russian films. 　　Sound and music editing is a bit clumsy, but that might have been on purpose...

A young girl is in a room full of, well, all sorts of, things... 　　She plays with stuff... 　　She is very cute and fun to watch, and Nikita's debut shows already what a great sense for camera movement he possesses. Despite the lack of dialogues, the film isn't boring, and has this unique atmosphere that you often meet in Russian films. 　　Sound and music editing is a bit clumsy, but that might have been on purpose...

厚物（あつもの）と呼ばれる菊の栽培に情熱を傾けてきた初老の2人のライバルと、2人の間に紛れ込んできた若い女性との愛憎を描いた人間ドラマ。北陸の小さな町の消防士だった馬野杢平は、大菊の厚物を仕立てる事では北陸の名人と呼ばれるほどの男。定年を機に妻の夏美が東京郊外の精神病院に入院し、杢平は息子夫婦の住む関東近郊へ身を寄せる。北関東には杢平のライバル黒瀬玄一がいる。ある日、杢平は地元の菊同好会の集いで知り合った音大生ミハルの案内で黒瀬の家を訪ねるが……。

新人编剧卡特·巴斯克已敲定为“小丑女”玛格特·罗比的新片[艳物](Beautiful Thing，暂译)执笔剧本。影片根据作家吉恩·菲利普斯即将出版的小说《凶猛帝国》(Fierce Kingdom，暂译)改编。故事讲述一对母子因意外被困动物园，他们要在3小时里逃离这个危险之地。罗比此次仅作为制片人参与项目，并未确定出演。

新人编剧卡特·巴斯克已敲定为“小丑女”玛格特·罗比的新片[艳物](Beautiful Thing，暂译)执笔剧本。影片根据作家吉恩·菲利普斯即将出版的小说《凶猛帝国》(Fierce Kingdom，暂译)改编。故事讲述一对母子因意外被困动物园，他们要在3小时里逃离这个危险之地。罗比此次仅作为制片人参与项目，并未确定出演。

Two-part documentary which deals with two of the deepest questions there are - what is everything, and what is nothing? 　　In two epic, surreal and mind-expanding films, Professor Jim Al-Khalili searches for an answer to these questions as he explores the true size and shape of the universe and delves into the amazing science behind apparent nothingness. 　　The first part, Everything, sees Professor Al-Khalili set out to discover what the universe might actually look like. The journey takes him from the distant past to the boundaries of the known universe. Along the way he charts the remarkable stories of the men and women who discovered the truth about the cosmos and investigates how our understanding of space has been shaped by both mathematics and astronomy. 　　The second part, Nothing, explores science at the very limits of human perception, where we now understand the deepest mysteries of the universe lie. Jim sets out to answer one very simple question - what is nothing? His journey ends with perhaps the most profound insight about reality that humanity has ever made. Everything came from nothing. The quantum world of the super-small shaped the vast universe we inhabit today, and Jim can prove it.

两部纪录片讲述了两个最深刻的问题——什么是万物，什么是无物？在这两部史诗般的超现实主义电影中，吉姆·卡利里教授在探索宇宙真实大小和形状的同时，搜索这些问题的答案，并深入探究虚无背后的科学新知。在此过程中，影片记录了那些发现宇宙真相的科学家们非凡的故事，并探究数学和天文学是如何塑造了我们对太空的理解。